"I can’t say that I planned to write this book. I don’t believe the story told itself—as it is neither fiction nor a memoir in a conventional sense. I did not have the privilege of hindsight as I wrote in my diary. I’ve narrated the creative process and entrepreneurial journey in real-time as it unfolded in my life."
Being a scientist has forced me to look at everything through black and white tinted glasses. In my wish list of manuals to survive the experience we call ‘life’ I also once wanted a ‘how to write without failing’ manual. Co-incidentally that is when Dipa Sanatani revealed her second book The Merchant of Stories. It is the kind of book I've wanted to read for a long time.
Sometimes I read what I wrote a few years ago and feel embarrassed. It's not necessarily bad - it's just that my priorities have changed. I look back and am relieved I didn't publish it. You've studied numerous books. What is the trend that you've noticed between an author's earlier works and later works?
If the author is the mother giving birth, I am the midwife making sure that the baby comes into this world safe and sound. Each work of creation is different, and comes into this world through a different passage. Having worked with lots of writers and writing styles, I know that it's a different experience each time. No two births are ever the same.
I first came across the concept of co-authoring in a post on Co-Authors. It inspired me to research further, brainstorm and come up with a few techniques through which writers can collaborate to create their best work yet.
I wanted to write a book that would make ancient myths relevant for the modern reader while still staying true to the ‘heart’ of the myth. In Vedic Mythology, the Celestial Beings are personified as a family that have a relationship with each other – some complementary, others highly dysfunctional. What I’ve done with The Little Light is reinterpreted and reimagined those myths for the modern era.